I was pretty excited about V. It was bringing back what in my mind was the original miniseries, and a nice bit of sci-fi. But this time with a budget and awesome effects and some hindsight on making a great series. Plus, I wrapped BSG and 4400 up pretty recently and need a new sci-fi serial fix.
I watched the pilot last night, and was a bit disappointed. 4400 was great, and there are some strong ties to that show here, between Joel Gretcsh and Scott Peters they really raised the bar. And after one episode, I just am not hooked. I will give it another go, but I’m not chomping at the bit for more yet.
I’ve heard people criticize and/or laud V for its ‘harsh commentary on Obamamania.’ It definitely made unveiled references to the president and current political situations. Brave. But they came out looking like something from a Sophomore’s script. Just silly. A commentary on universal health care and hope. We all know what the visitors are. They’re also presented as terrorists. I have to “hope” that the Obama references were limited to their uninspiring pilot, that their intention is to borrow from many modern charismatic leaders for the evolution of the V plot.
I suppose that my advice for the V writers is if you want to go political, start by modeling ideologies and create parallels. People will get it, and they’ll point it out for the ones who don’t…or at least the message boards will start lighting up. Get too specific and your point will be watered down, and at some point you’ll have to sacrifice your principles in favor of the fiction, or vice-versa. Symolism and metaphor are powerful tools. Billboards are too, but I’d prefer to see them on the highway (or not at all).
I was not upset by the rate at which the visitors were revealed as sinister. It wasn’t going to surprise anyone, so why put that sort of effort into a surprise? So they needed to spend some time on character development. Unfortunately they wasted too much on demonstrating which stereotype to model each character on. Most annoying was the whiny-teen you’re never around because you’re saving the world archetype of the son. Of course he’s going to be a V ambassador (or was it Hope?). Chad Decker looks to be the Faustian reporter who will sell-out his principles and the human race. I can only hope that he has a fraction of the complexity of Gaius Baltar, but for now it looks like he’s going to be the visitor’s reluctant lapdog, accepting more and more power, until he grows a pair and starts to help the resistance on the sly.
The product placement in V was pretty robust. It felt like there was almost as much as in 24. iPhones and cars and more. Lots of stuff for us to buy. Maybe it’s a visitor plot.
A two-hour pilot would’ve been a wise move. If you’re creating an epic, it helps to build empathy and plot. But if it’s a teen drama don’t worry about it.
I will watch the next episode, and probably the rest until the break. And then I’ll decide if V will continue to visit my living room. It wasn’t terrible, but so far I just don’t care, and my TV time is valuable! One positive is that V inadvertently introduced me to FastForward, which is excellent so far…sort of cop show meets memento with a bit of sci-fi thrown in.